Based in Portland, grading for the world.

For over five years, I’ve served as a dedicated colorist and finishing artist, delivering hundreds of projects for global clients including Nike, Netflix, and PBS. While I thrive on large-scale productions, I remain deeply committed to the Portland film community, providing high-end finishing for local independent projects.

I specialize in the technical artistry of post-production, from meticulous camera matching and digital restoration to AI-driven archival upscaling. Whether you’re looking to perfect a cinematic vision or salvage "problem" footage, I provide precision solutions to ensure your final image reaches its full potential.

Every project is a partnership built on trust. If you have a specific look in mind, I’m here to listen and refine that vision with technical accuracy. If you’re looking for a fresh perspective, let me run with it… I love finding ways to unlock new levels of cinematic depth in your footage and enhance your story.

EDITING & STORY CONSULTING

Beyond the grade, my background as a filmmaker informs how I approach narrative structure and pacing. Having directed and produced three feature documentaries (full filmography on [IMDb]), I understand the unique challenges of long-form storytelling. I draw on that experience to serve as a story consultant and editor for documentary projects that require an analytical eye for structure.

Currently, I am lead editor on a feature documentary based on a New York Times bestseller. This role involves distilling complex geopolitical themes into a compelling cinematic narrative, a challenge I find incredibly rewarding. Whether a project is in early development or stuck in a difficult assembly, I help filmmakers find the thread of their story.

If you’re looking to unlock a documentary’s potential, whether through a full consultation, a structural edit, or high-level story feedback, I’d be happy to discuss how we can bring your vision into focus.